Western Conceptual Art and Ghanaian Film Meet in Doug Fishbone's Elmina Photography Exhibition
Running parallel to his groundbreaking feature-length film, Elmina, the American-born London-based artist Doug Fishbone's new photography exhibition at Rokeby gallery in London "investigates a range of questions about art, relativity, race and globalization whilst examining ideas of representation”.
The film, showing at Tate Britain until 3 January, is essentially a classic West African style movie featuring a professional Ghanaian cast except for Fishbone (a self described “white guy from New York”) who plays a part that would normally have been performed by a Ghanaian actor. According to the artist, he was “basically plunking myself in a Ghanian melodrama” and assuming the lead role with no mention that he was “the odd man out”. Fully adopting the conventions of popular Ghanaian filmmaking and taking advantage of the low cost structure of the Ghanaian home video industry, the results are stark and provocative.
Equally provocative are the effects of Fishbone's corresponding still photography exhibition. Shot on location in Ghana, during the filming of Elmina the exhibition examines the relationship between still photography and cinema whilst exploring the narrative paradox and enigmas of the film while connecting two vastly different cultural situations: Western conceptual art and the African home video market.
Elmina by Doug Fishbone opens Thursday the 25th of November and runs until the 15th of January 2011 at Rokeby, 5-9 Hatton Wall, London, EC1N 8HX. For more details visit www.rokebygallery.com.
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